The Simple Secret to Writing Better

We are thrilled to welcome Ella Joy Olsen as our guest today!

I recently started teaching a course through Lifelong Learning at the University of Utah. The emphasis: How to Write Historical Fiction. While I had one historical fiction novel published and another in the hopper, I couldn’t imagine teaching a class on my process.

But then I started really thinking on it. Being self-taught didn’t mean I didn’t have anything to teach. Sure, I’d cobbled my knowledge from a variety of sources but I’d still written a book.

Where had I learned the very most? From reading. That was my first big ah-ha. And that’s how I decided to teach. During the first session I had the class brainstorm a time period or place they were interested in writing about. Some came to class with an idea already percolating; some didn’t know what they wanted to write about at all. We repeated the exercise three times.

At the end of the class I sent them home with instructions to decide on one historical period then make a trip to the book store and find a recently published and well-regarded historical fiction. One that matched either their chosen time or place (or even better, both). This would be their text book. The best text book ever, in my opinion.

Then they were to read the book slowly, paying close attention . . . like a writer: They were to find the inciting event, they were instructed to make note of what made the characters sympathetic and interesting in the first few pages. I asked them if they wanted to keep reading the book after the first scene, and why? What hooked them? We picked apart how historic facts were interwoven into scenes which added to the texture of the story instead of being info-dumped.

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And then we started writing. Turns out that’s the next big ah-ha. Pretty simple, right? There’s no magic bullet, no secret passed through the ages that allows a person to write the next great American novel. First you read. Then you write. And write. And write. Or as Stephen King put it:

“If you want to be a writer, you must do two things above all others: read a lot and write a lot. There’s no way around these two things that I’m aware of, no shortcut.”

Sure, there are things to think about as you write: plot, story arc, conflict, language. But until you actually put words on the page these are all abstract ideas. You can’t tell if your story is arcing until you have the story on the screen. You don’t know if your conflict needs to be amped up until you’ve written a tense scene. You can’t read and edit your writing until it’s…wait for it…written.

That’s what my students needed the most. Encouragement or a kick in the pants (gentle, of course) to get their butts in the chair and their fingers on their keyboards. Even if they didn’t have a distinct plan, they needed to write something. Everything else could be worked out, refined, and smoothed after they had actual words on the page.

After imparting all of my sage advice I have a fresh concern: I’m teaching a whole semester on this subject and as it turns out, the secret is really pretty simple. How will I ever fill my course hours?

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Ella Joy OlBiophoto2.JPGsen was born, raised and currently resides in Salt Lake City, Utah, a charming town tucked at the base of the massive Rocky Mountains. Most at home in the world of the written word, Ella spent nearly a decade on the Board of Directors for the Salt Lake City Public Library System (and four decades browsing the stacks). She is the mom of three kids ranging from just-barely-teen to just-flown-the-nest-teen, the mama of two dogs, and the wife of one patient husband.

Though she’s crazy about words Ella is also practical so she graduated from the University of Utah with a degree in Finance. After years analyzing facts and figures Ella gave up her corner cubicle and started writing fiction. Fun fact: she now teaches a historical fiction course at her alma mater. She has also lived in Seattle, Washington & Savannah, Georgia.

ROOT, PETAL,THORN (September 2016) was her debut and coming in September 2017 – WHERE THE SWEET BIRD SINGS.

How Far Is Too Far? How Much Is Too Much?

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I didn’t actually set out to answer those questions. But over the past several months, they’ve been on my mind. A lot.

Let’s back up. My teenaged daughter is a voracious reader. She always seems to discover and read the “hot topic” books months before I even hear about them. She’d read all John Green’s books before I even got a whiff of The Fault in Our Stars, and she read Thirteen Reasons Why way before Netflix even thought about vandalizing the book as a miniseries.

In the run-up to my NaNoWriMo project last year, I decided I wanted to write the kind of YA book my daughter likes to read: edgy, real, and touching on the scarier areas of high school life. I settled on a revenge novel, one that used multiple points of view. Then she and I sat down and brainstormed about the horrible things high schoolers do to each other.

Some of the ideas we came up with together were pretty dark. But I was drawn to the characters they suggested, and I thought they made for a great story. I’m revising now, struggling with my beginning, but I’m still happy with the way the book is shaping up.

To help me get in the right frame of mind for this book, I’ve been reading extensively in the “edgy YA” category. Here are a few of the books I’ve devoured in the past few months:

  • Thirteen Reasons Why, by Jay Asher. Deals with suicide, bullying, violence, alcohol and drug use, rape and voyeurism.
  • King Dork, by Frank Portman. A comedy dealing with sex, drugs and (of course) rock ‘n’ roll—plus bullying, alcohol and assault with a deadly tuba.
  • Hate List, by Jennifer Brown. The main character is the survivor (and unwitting participant) of school shooting rampage. Also touches on bullying, violence, alcohol and drug use, sexual issues.
  • Me and Earl and the Dying Girl, by Jesse Andrews. A very funny, profoundly weird story about terminal illness, bullying, racial issues, drug use and gangs. Contains copius F-bombs.
  • Looking for Alaska, by John Green. This multiple award-winning book deals with sex, smoking, death, more sex, and alcohol and drug use, with enough profanity to earn it a hard R from the MPAA.
  • The Serpent King, by Jeff Zentner. Abuse and poverty, some surprising violence (domestic and otherwise), lots of language and bullying and mentions of kiddie porn mixed in. So far, my favorite book of 2017.
  • Castration Celebration, by Jake Wizner. Billed as “High School Musical—rated R,” this book revolves around sex, drugs, rock ‘n’ roll, alcohol, suicide, and depression. And it’s a comedy!

Now, I live and write in southern Utah, so I work in a bubble. Though this isn’t an absolute, readers here tend to gravitate more toward sci-fi and fantasy, focus on “clean romance,” and stay away from heavy realism. The bubble is thick and isolating—so much so that, when I began introducing my current project to my writing group, one of the members asked, “Do books like this actually sell?”

Publishers don’t release sales numbers, but if we look at Thirteen Reasons Why on Amazon, we see the book has 29 separate formats and editions, including seven hardcover, nine paperback, two digital and four audiobook. There’s also the popular miniseries on Netflix. What this says to me is that Jay Asher probably doesn’t have to feel around under his couch cushions for gas money. Similarly, Looking for Alaska is available in 55 different formats and editions. Millions of copies of both books have been sold.

Obviously, books for teens with lots of “adult” material can be incredibly popular and make bucketfuls of money for their authors and publishers. But I’m still curious to know: how far is too far, and how much is too much? Are there specific topics that readers just don’t want to encounter in young adult novels?

I can’t answer that question. In fact, it’s a question I’m asking TTOF readers. I’ve put together a survey for you to fill out:

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Copy-and-paste link:
https://goo.gl/forms/AyEmZ23eLdXptYMt2

You’ll be asked about various thematic elements and  your level of comfort with them. I encourage you to respond to the survey, and to ask your friends to do so as well. I’ll summarize the results in a future column.


David-Profile-PicDavid Baker is an author, playwright, marketing professional, blogger and freelance editor. He has ghost-written several books and authored dozens of published articles on such topics as business technology, the insurance industry, marketing and data security. He writes both YA and “grown-up” fiction and is actively querying several projects. He also edits the monthly journal of a national trade organization. In his spare time, he runs marathons, volunteers with young people, cooks curries, paints shoes and builds things. He has an A.A. in theater, a B.A. in English and an M.A. in linguistics. Born in Arizona, raised in Hawaii, currently living in Utah, David is actively involved in theater. His stage play, Inside Al, won the Henry Fonda Young Playwright Award and premiered at the Kennedy Center for the Performing Arts in Washington, DC. The play was subsequently published by Samuel French and has been in near-continuous production for more than two decades, with hundreds of performances across the US and Canada. You can find his personal blog at blog.bakerdavid.com.

The Boy Who Lived and Changed my Life

We are thrilled to welcome our newest contributor Yamile Saied Méndez!

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Harry Potter and the Sorcerer’s Stone by J. K. Rowling was published 20 years ago. I was eighteen, still living in Argentina, and although I’ve always been a reading addict, I wouldn’t find Harry Potter for a few more years.

Oh, how I would’ve loved to have read this magical story before I arrived at Brigham Young University in Provo, Utah, a long way from my home at the other end of the world, in Rosario, Argentina. I could’ve used Harry’s perspective at arriving at a new place that was all I’d always dreamed of. Like Harry, I met some of my very best friends to this day that first Spring/Summer. I didn’t have to fight giant spiders or the Dark Lord, although I faced loneliness and homesickness, and in the winter, the pervasive presence of an old familiar companion, depression, my real life dementors.

Although it might sound cliché, I kept the dementors at bay thanks to the love of my friends, a wonderful boy who’d become my husband a little later, and the support of my family. When I met Harry, the world was a-frenzy with the arrival of Goblet of Fire. It was the summer of 2000, and I was awaiting the arrival of my first baby, my son Julián.

My husband and I lived in North Carolina very close to his sister’s family. Her kids lent me the first three volumes of the series so I could catch up before Goblet’s release day. It’s not an exaggeration to say that the opening page changed my life. I didn’t stop reading, devouring each page until I reached the end of Prisoner of Azkaban. Happily, I joined the world as I waited for Goblet of Fire, which I devoured the night I bought it. My husband worked nights, and reading all night and sleeping during the day fit our lifestyle, even after our baby was born. There was an excruciating three year wait until Order of the Phoenix came out. During those three years, I read the four first volumes carefully, analyzing every word. I listened to Jim Dale’s audiobook adaptation, and to this day, I judge every audiobook by the Jim Dale standard. There are a few close seconds who are my favorite readers, but none like him.

I became involved in online forums like The Leaky Cauldron, and I loved discussing the books with strangers who loved Harry and gang as much as I did.

But during those three years I didn’t only read Harry Potter. I started reading for pleasure again. I fell in love with kidlit. I realized that because I grew up in another continent, my ignorance in terms of beloved American kids’ classics was abysmal. I set out to remedy this immediately. I’m still going strong at it. I found Max from Where the Wild Things Are, all the Margaret Brown books, Anne with an E, and everything else I could get my hands on. I took my baby to the library’s story time mainly for me. I needed my weekly haul of books. I started writing.

When Order of the Phoenix came out, we were living in Puerto Rico, out in the island (as the Puerto Ricans say), and I couldn’t go to the midnight release party. Amazon didn’t send me my pre-order copy until A WHOLE week had passed since the release day. I vowed that never again would I trust the postal service or online orders. For Half-Blood Prince, I already had three little potterheads to keep me company. I told them Harry’s story trying not to spoil it for them, especially for my son Julián who literally knew about Harry since he was in utero.

And for the release of Deathly Hallows, my dear, amazing, adoring husband took the family to London and Scotland, to wait for the book in “the” holy land. After touring the Balmoral hotel and different castles, we waited in line at the Waterstone in Edinburg. That night, my little Julián painstakingly read the book next to me, but he finally fell asleep, his pudy hand still holding a wand. A year later, when his reading skills were off the charts, he read Deathly Hallows in twenty hours. He was seven years old. He’s been re-reading Harry every year ever since. He’s also a voracious reader like me.

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Harry Potter is the reason I fell in love with kidlit. I read it; I write it nonstop. My stories are not like J. K Rowling’s, not at all, and that’s okay. Harry and his world have followed me all over the world throughout the years, and it’s not a coincidence that when I was at my MFA program at the Vermont College of Fine Arts (my real life Hogwarts, hands down), my class chose The Harried Plotters as the class name as it’s the tradition in the school. For our graduation, my classmates and I got Mischief Managed tattoos, and we raised our wands in victory (this is one of the perks of attending a writing for children program :p).

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Harry gave me magic, and I love the characters and this world because like Dumbledore told Harry, even if it’s all happening in my mind, it doesn’t mean it’s not real, right?

What book has changed your life?

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YamileMendezYamile (prounounced sha-MEE-lay) Saied Méndez is an immigrant writer and reader, a dreamer and fighter, a Vermont College of Fine Arts MFA graduate, a 2014 New Visions Award Honor Winner, and one the 2015 Walter Dean Myers Inaugural Grant recipients. Born and raised in Rosario, Argentina (cradle of fútbol), she now lives in Alpine, Utah with her husband, five children, and three dogs, but her heart is with her family scattered all over the world. Find her on twitter: @YamileSMendez and online: yamilesmendez.com.

Books to Help Writers Get Better

I have a weakness.

I mean, besides books. That’s obvious.

My other weakness is craft books. I love them. I love learning how people think about story, seeing how I can think differently or better about my writing, to be inspired by how others engage in the creative process. If you know me in real life, it won’t surprise you to know that analysis makes me super happy.

Which is why I have a shelf that looks like this:

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And amid the great novels loaded on my kindle are the following:

  • Creativity Inc.
  • A Writer’s Guide Story Structure and Beyond
  • The War of Art
  • John Gardner’s Collection on Writing
  • The Art of Work
  • The Anatomy of Story
  • The Right to Write
  • All of the Emotional Thesaurus books
  • Crafting Unforgettable Characters
  • Getting Published in the 21st Century
  • Self-Editing for Fiction Writers
  • Million Dollar Outlines
  • Save the Cat

But still, I found myself wondering what books people went to when they wanted to study their craft more. Below are some of the dozens of suggestions I received (several I’ve never heard of!):

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New Craft Books:

  • Author In Progress: A No-Holds-Barred Guide to What It Really Takes to Get Published Paperback by Therese Walsh
  • The Emotional Craft of Fiction: How to Write the Story Beneath the Surface by Donald Maass
  • Story Genius by Lisa Cron

Books to Improve Overall Writing:

  • The Art of Fiction: Notes on Craft for Young Writers by John Gardner
  • How to Grow a Novel: The Most Common Mistakes Writers Make and How to Overcome Them by Sol Stein
  • Writing 21st Century Fiction by Donald Maass
  • Scene & Structure (Elements of Fiction Writing) by Jack M. Bickham
  • Not to Write a Novel: 200 Classic Mistakes and How to Avoid Them–A Misstep-by-Misstep Guide by Howard Mittelmark
  • Writing Tools: 55 Essential Strategies for Every Writer by Roy Peter Clark
  • Words, Best Order: Essays on Poetry

Books to Nurture the Writer:

  • Big Magic by Elizabeth Gilbert
  • Fierce on the Page by Sage Cohen
  • A Million Miles in a Thousand Years: How I Learned to Live a Better Story by Donald Miller
  • The Artist’s Way by Julia Cameron

Books to Help with Editing:

  • The Emotion Thesaurus: A Writer’s Guide To Character Expression by Angela Ackerman and Becca Puglisi
  • Stein On Writing: A Master Editor of Some of the Most Successful Writers of Our Century Shares His Craft Techniques by Sol Stein
  • 77 Reasons Why Your Book Was Rejected Paperback by Mike Nappa

Even MORE Great Writing Books:

These are new to me, so if you know more about them, please share! 

  • The Crosswicks Journals by Madeleine L’Engle
  • Walking on Water: Reflections on Faith and Art Paperback by Madeleine L’Engle
  • The Forest for the Trees (Revised and Updated): An Editor’s Advice to Writers by Betsy Lerner
  • This Is the Story of a Happy Marriage by Ann Patchett
  • If You Want to Write by Brenda Ueland
  • Reflections: On the Magic of Writing by Diana Wynne Jones

Lifetime Achievement Awards:

Face it: these books are so good, we still need to talk about them.

  • Bird by Bird by Anne Lamott
  • On Writing: A Memoir of the Craft by Stephen King
  • Elements of Style by by William Strunk Jr. and E. B. White

Did I miss any? Do you have some favorites? 

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profileTasha Seegmiller is a mom to three kids and coordinator of the project-based learning center (EDGE) at Southern Utah University. She writes contemporary women’s fiction with a hint of magic, and thrives on Diet Coke, chocolate and cinnamon bears. She is a co-founder and the managing editor for the Thinking Through Our Fingers blog as well as the Women’s Fiction Writers Association quarterly magazine, where she also serves as a board member. Tasha is represented by Annelise Robey of the Jane Rotrosen Agency.

Tales From the “Staff Picks” Shelf

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I’m a huge fan of the “Staff Picks” shelf at my local library. Whenever I go, I always make sure to see what’s new and being recommended, and I usually will come home with a book by author I’m unfamiliar with, or even a genre I don’t normally read. And while I’m all for gathering reading recommendations from trusted friends and family, I’ve personally had great success by trusting the suggestions from this particular shelf.

For instance, I had heard of Jim Butcher and Brad Meltzer before, but it wasn’t until I saw their books on the “Staff Pick” shelf one day that I decided to give them a try. And I’m glad I did, because I found two authors in two wildly different genres (urban fantasy and political thriller, respectively) that I came to enjoy.

Some of my happiest finds on the “Staff Picks” shelf, however, have come from books and authors who I was completely unaware of beforehand. In those moments, I judged the book by its cover, and rolled the dice. It is some of those treasures I’d like to share today. These are some of the books and authors I always refer people to now when they ask me who they should try reading.

First on my list is A. Lee Martinez. I came across one of his books years ago, and became such a fan that I read his entire back catalog inside of two months. Lee writes sci-fi/fantasy/horror comedy in the style of Douglas Adams with a little Terry Pratchett thrown in for good measure. All of his books are stand alone stories, and feature memorable characters in richly detailed settings, with smart dialogue. I always try to steer folks towards Martinez, and among the books I would recommend trying are:

  • Too Many Curses. Nessy, a short and furry kobold, is the caretaker of the castle of Margle the Horrendous, an evil wizard who transforms his victims into various accursed forms and keeps them in his castle. His collection ranges from a roomful of sentient suits of armor, to something known only as The Thing Which Should Not Be, to a nurgax, which bears a striking resemblance to a one-eyed, one horned, flying purple people-eater. When Margle suddenly dies, Nessy finds herself faced with keeping the castle from descending into chaos.
  • Helen & Troy’s Epic Road Quest. It’s hard enough to be a teenage girl, and being half Minotaur doesn’t help Helen’s social life any. To break a curse placed by an angry old god, Helen and her friend Troy must embark on a road trip down Route 66 through an enchanted America, pursued by a biker gang of Orcs. This story turns the classic Greek myths on their heads with hilarious results.
  • The Last Adventure of Constance Verity. All Constance Verity’s parents wanted for their baby girl was for her to live a life of adventure. Their wish was granted by a fairy godmother, and from the age of seven, Connie has saved the world (and other worlds) so many times that she’s lost count. After twenty-eight years of one adventure after another, she’s bored and longing for a peaceful, ordinary life. But saving the world is her destiny, and the forces behind her particular affliction for adventure aren’t so eager to have her stop.

I grabbed Andrew Fox’s The Good Humor Man off the shelf based off the cover art—which shows a pair of futuristic police boots crushing some Cheetos—and the subtitle: Or, Calorie 3501. The story is set in a dystopian future where junk food has been outlawed, and “Good Humor Men”—so called for their use of re-appropriated ice cream trucks—prowl the city looking for anyone who is eating unhealthily. All forms of junk food are summarily destroyed, and offenders are thrown in jail. In this health conscious world, fat is equated with evil, and a cultish religion has emerged where parishioners worship liposuction. Louis, a former liposuction surgeon turned Good Humor Man, begins to question his vocation when a raid on contraband cheese turns deadly. Can the jar of fat Louis’ father secretly removed from Elvis Presley decades earlier hold the key to saving all of humanity?

(I would also recommend Fox’s Fat White Vampire Blues, which takes the sexy vampire mythos and tosses it out the window. Jules Duchon is a vampire in New Orleans, but is morbidly obese because Americans are so high in cholesterol. There’s nothing sexy or sparkly about Jules, who has to work at night as a cab driver to earn a living.)

I chose The Fictional Man by Al Ewing because I needed something to read on a flight. As it turned out, this book became the highlight of my entire trip. Set in an alternate present where cloning is commonplace, nearly all actors in Hollywood are “Fictionals,” or genetically engineered copies of their fictional counterparts in stories. Thus, there are multiple copies of Sherlock Holmes running around, for instance. It’s the highest hope of all writers to have their characters immortalized as a real life Fictional. Niles is a struggling pulp novelist with writer’s block who is tasked with writing a film adaptation of a trashy spy novel. The deeper Niles gets into the story within the story within the story, the more layers unfold, and the more the truth is revealed to be stranger than fiction.

Laura Marx Fitzgerald’s Under The Egg was a book I wouldn’t ordinarily have read. It’s a middle grade novel, a genre that doesn’t usually spark my interest. But I was feeling adventurous one day, and looking for something different. What I found was a smart story about a young girl in New York who goes on a National Treasure-style hunt across the city to solve a mystery that may just save her whole family. This book was a refreshing reminder to me not to be afraid to venture outside the safe and familiar genres I normally read, and that a good story is a good story, regardless of genre.

I hope you might give some of these authors and books a try like I did, and I hope you enjoy them as much as I did. I also hope that no matter what genre you prefer to read, you occasionally step outside that genre and read something you wouldn’t ordinarily. Even if you never become a die hard fan of a different genre, the experience can serve to broaden your perspective and flex your imaginative muscles a little. Now, if you’ll excuse me, I’m off to see what picks are being recommended for me this week. Happy reading!

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Dennis Gaunt has worked as a slushpile reader for Deseret Book and Shadow Mountain publishers since 2000. All those years of reading other people’s words inspired him to take a crack at writing himself. His first book, Bad Guys of the Book of Mormon, was published in 2011, and he has since published other books and magazine articles in the LDS market, and has even recorded talks on CD for LDS youth and young adults.

Though primarily a non-fiction writer (for now), he loves reading and talking about what makes great fiction stories work. His years of wading through the slushpile from the other side have given him a unique perspective on the writing and publishing processes, and he’s excited to be a part of Thinking Through Our Fingers.

Dennis lives in the Salt Lake City area with his wife, Natalie, who still has the text he sent her all those years ago that read “Holy cow–I think I’m writing a book!” In his spare time, he enjoys photography, playing the guitar, cooking (hold the onions, please), going to Disneyland, and Godzilla movies.

Well-Rounded Readers Make Well-Rounded Writers

I’m pretty sure you all know the importance, as writers, of reading books within the genres you write, yes? Obviously, this is a given. How are you to know the trends and meet the expectations of your genre’s audience if you aren’t also a member of your genre’s audience?

By reading within your genre, you learn which tropes to include, and which tropes to avoid. You learn your genre’s average pacing and plot structure, what’s been done and what hasn’t, and how to skirt that line between providing unique characters and a unique plot, while still adhering to the qualities and characteristics of your particular genre that will keep readers coming back for more.

But there’s something to be said for reading outside your genre as well. I used to be timid about doing this. For the longest time, I nearly exclusively read SFF books because that’s what I was drawn to. That’s why I chose to write within that genre, after all. I love SFF. I can relate to it, and at the same time, it transports me away from normal, everyday life.

Lately, however, I’ve been making a concerted effort to read more widely. And you know what? Not only have I found that I enjoy a much larger selection of stories than I thought I would, my writing has improved as well. Tremendously. I know it’s improved, because I now find myself looking at my characters differently, and being more creative about the situations I put them in, as well as how I have them react to those situations. I’ve also honed my writing voice more—with different genres comes different ways of wording things, and my exposure to this is coming out in my own style of writing.

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As mentioned above, I mostly write SFF. More specifically, I write urban and contemporary fantasy. However, so far this year, I’ve read mysteries, historical fiction, magical realism, contemporary romance, and dark, twisty thrillers with unreliable narrators. Each one of these books has influenced my writing for the better.

Mystery has helped me figure out what information I should (and shouldn’t) reveal to the reader, and when. Historical fiction has taught me the importance of understanding the socio-political landscape in which my characters have been placed. Magical realism has influenced me to slow down during certain moments throughout my stories and really focus on the sensory details, drawing the reader into my character’s experience as far as I can. Contemporary romance has been a terrific study on the push and pull that takes place in character relationships, and how to add delicious tension. And thrillers with unreliable narrators have helped to remind me that every character is the hero within their own story, and they’re all going to want to portray themselves that way, whether their portrayal is accurate or not.

I have books in other genres waiting on my to-be-read list as well. Horror, for instance. And comedy. And I read plenty of non-fiction as well.

“Wait . . . non-fiction? You mean besides books about writing?”

Heck yes, you should read non-fiction! And not just for story research, either. Right now, for instance, I’m reading (well, actually listening to) a book about the quirky ways in which the brain works.* How is that helpful? Well, in understanding how the human brain works, I can better understand why my characters do what they do. I’ve also been reading biographies, which make great character studies, books on time-management, which are helpful for managing my writing life, and of course (since I have a degree in the subject) history books. History is the ultimate plot bunny source, let me tell you. Even if you’re writing a contemporary book, or a book set in the future.

So I challenge you now, if you’re hesitant about reading outside your writing genre, to go do exactly that. Ask trusted friends for recommendations, scroll through Goodreads, or take yourself down to your local library or bookstore and walk past your favorite shelves, over to new, unexplored territory. You can thank me later. No, seriously, after you’re done reading. Pretend I’m not here. I don’t want to interrupt you.

. . . Puts finger to lips and tiptoes away. . . .

 

*THE IDIOT BRAIN, by Dean Burnett
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When she’s not writing, revising, or banging her head on the keyboard (it’s all the same, right?), Megan Paasch can be found playing her ukulele (badly), knitting (rarely anymore, unfortunately), or herding two amazing, but rowdy little boys (pretty much constantly) with her husband. A native to the Pacific Northwest, Megan earned her B.A. in History from the University of Washington. (Go Huskies!) Her favorite history subjects were, and still are, Women in History, the Tudors, and the Celts. You can read more about her here.