As I draft this post, I’m sitting in an Airbus A320 from KDTW to KDEN at flight level 370. I don’t know this because I have a great deal of aeronautical knowledge or because I was even particularly paying attention to the pre-flight speech; I know this because my aviation-obsessed son did a little research before I left.
Jack spends his time watching instructional videos and studying navigation charts. The reward for getting his work done is ten minutes of YouTube aviation channels. It is a powerful motivator. My son is passionate about flight to the point that it’s not enough to fly on an airplane, to be the passenger. He has to become a pilot.
I think this is not unlike the reason we write. We love story to the point that it is not enough to be along for the ride. We need to be the one charting the course, the one taking others on the journey. But in order to do so successfully—in order to make the jump from passenger to pilot—there’s a tremendous amount of work that must take place. Skills to be acquired. Forces of physics and nature and mechanics to understand. We must learn how to chart the course, how to navigate it safely, and how to listen to the essential voices from the ground that are guiding us in the right direction.
Writing is an art, certainly, but I think all art requires this study and work, unglamorous though it may be. I remember coming to an elementary school arts night and being amazed at the quality and technique of the self-portraits the kindergarteners drew. Just as I was marveling at how many of the kids I could actually recognize from their portraits, I was shocked to hear a parent complaining that art should be free expression and that all the portraits looked the same. Yes, all the portraits looked similar in that they all looked remarkably like human faces. Drawn by kindergarteners! Of course art is expression, but we must first acquire the tools and skills with which to express ourselves. As a friend in theater education says, “If we want kids to think outside the box, they first have to understand the box.” Certainly this is true at any age.
And so it is with our writing. We can take our stories to new heights and undiscovered places—but we must do so with an understanding of the principles and potential dangers, of the layout of the land and the craft that’s taking us there. We keep our skills sharp by attending a conference, taking a class, reading a new book on writing or creativity. Only then can we have the soaring sensation and the breathtaking beauty we first fell in love with, and only then can we share those things with our readers as well.
What will you do this summer to become a better pilot?
Elaine Vickers is the author of LIKE MAGIC (out now!) and PAPER CHAINS (coming fall 2017) from HarperCollins. She loves writing middle grade and chapter books when she’s not teaching college chemistry or hanging out with her fabulous family. You can find her at elainevickers.com on the web, @ElaineBVickers on Twitter, Instagram, and Pinterest, or generally anywhere there are books and/or food for her consumption.